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She says every story has to be told from a certain perspective: case in point her film "Talvar", which, she believes, required a male gaze."With Talvar, I said, Im being objective. What would their response be, what would their posture be?"Meghna says she was careful in not taking sides with the story that became a tabloid fodder."If you want your story to be grey, there will be no moral compass. That was my moral compass that I was leaving you with, that okay this is actually what happened, these two people died," she said. If you want to give a very definite take to the audience that they can go home with, at the end of your film, you will have a moral compass, and that moral compass could be any device.The film will showcase her journey in the time after her attack spanning a decade, a significant part of the story is the game-changing PIL in the Supreme Court which inspired the amendment on acid laws in 2013.In 2005, while Laxmi was waiting at a bus stop in Delhi, she was attacked by an assailant, a man twice her age, known to her family and an unlikely suitor whose advances she had declined. Its the most masculine film Ive ever made, theres no room for emotion.Meghna says Laxmis case is the most revealing example of how Indias law, medicine and administration machinery came together for justice.."There was a whole socio-medical and legal impact that her case had."And I was a woman telling the story. Im looking at the man, his life and his times," she says, adding with a heavy sigh, "Im way over my head over here (the story)". It is still the simplest thing to get in a kirana store in a tier-3 city," the director told PTI in an interview.Meghna is not new to recreating real life stories on the big screen, having made "Talvar", a critically-acclaimed film on 2008 Aarushi-Hemraj twin murders of Noida and this years "Raazi", which is based on a book inspired by a real-life account of a female spy. Sometimes the audience finds a moral compass that you didnt even realise you placed and thats the beauty of it," she added.And yet she wanted to give it a moral compass. Plus her case and her story has been the most relevant in terms of where legislation on acid violence, medical advancement, compensation for victims and things like that was concerned."Everything was about male gaze so even when youre staging a scene youve to go into the mind of all the different male characters. How would they stand, Panel Sawing Machine Factory how would they react, how would they react to each other.The director has another project that will delve into the life of Field Marshal Sam Manekshaw but it is a not a biopic.Deepika Padukone will be playing the lead role in the film, which marks the actors first stint into production."In the film with Deepika on acid violence, Im using Laxmi Agarwal as a subject because she is the most known acid fighter.Filmmaker Meghna Gulzar, who is set to direct a film on acid attack survivor Laxmi Agarwal, says the movie is an attempt to explore a larger story on acid violence in the country through the real life subject. Im telling you both sides of the story but when I put that video footage at the end of the film which showed the only time that the girl was alive. Theres one female character in that movie which is Konkona and the girl who comes only for a few seconds at the end of the film."The film on Field Marshal Manekshaw is not a biopic. Therefore, I am using her as a lens to tell a larger story on acid violence in India because even though acid is banned and the sale of acid is regulated in our country as of five years now, we still have acid attacks.Meghna does not like being called a female filmmaker but says the concept of "male gaze" is relevant in cinema


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نوشته شده در سه شنبه ۱۰ تیر ۱۳۹۹ساعت 10:14
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